I saw The Last Jedi yesterday, and here are my thoughts:
Plenty of interesting stuff, lots of surprising moments
I still prefer the swashbuckling pulpy adventure of the first movie to the overstated drama of the newer films
As much as it was a good movie, I would still rather see a totally new story.
I have three young boys who love Star Wars (thanks to me), and I am getting a little tired of it. “Star Wars” movie is now a phrase that gets used all the time, and it emphasizes the feeling I had while watching The Last Jedi that these films are more like TV shows in the way they tell a never-ending story. Each time the characters face basically the same obstacles and spend their time solving a fairly explicit puzzle. This was understated in the first trilogy, but now it’s almost like watching Law and Order. Continue reading ““Just write””→
In which I alienate Marvel fans, all of China and Stephen Universe fans!
I took my boys to see Thor: Ragnarok yesterday since they had the day off from school. I recently sat through Iron Man and totally enjoyed Wonder Woman, but I am not a big fan of comic book movies. Tim Burton’s Batman was cool, but in the past ten years things have really gotten out of control with comic book movies. Wonder Woman was an exception, but when I watch these movies usually I feel like I’m not really seeing a story acted out, but loosely strung-together action sequences. Everyone’s flying through the air and kicking the crap out of each other and completely destroying entire cities. The action just goes on and on, and lately they seem to take themselves way too seriously with the whole moral ambiguity thing (forgetting that moral clarity is what makes superheroes). As I said about Rogue One, I would much rather see an action/adventure/fantasy story about some new material instead of a comic hero or Star Wars. Continue reading “Thor: Ragnarok is a Kung-Fu Movie”→
I read this book with my kids, who are Star Wars fans. I loved The Force Awakens, but just to add my own perspective, I think the proliferation of Star Wars material is a bit overwhelming and unnecessary to enjoying the movies. In addition, most Star Wars bonus material I have read is not that well done. I wanted to read this book mainly for my kids’ enjoyment, but I was excited to hear that Delilah S. Dawson was doing an entire novel. Delilah is inspiring as a writer and blogger, and gives wonderful advice on how to build a strong career. So I picked up Phasma and was blown away by the amazing prose in the opening pages. The author takes an entirely boring scenario and makes it crackle with tension. I had to read the rest.
If you like anything Star Wars, you’ll love this book. If you like science fiction and fantasy, and good writing, the best parts of this book will be the current-time conflict between Cardinal and Phasma, two rival stormtroopers in the First Order. Phasma’s backstory is an interesting quest with a very well-developed culture, and a mystery that will be satisfying for fantasy readers. I think the best writing and the biggest tension happens toward the end of the book, and it’s well worth getting through some slow “endless desert” passages. The last hundred pages of this book are filled with suspense, and I really had a good time reading it.
Phasma is already a bestseller, so if this is the first book you’ve read by the author, I highly urge you to pick up her original material, which is much much better. For example she has a Weird Western series under her pen name Lila Bowen that I highly recommend, the latest chapter of which is Malice of Crows.
Last week my novel manuscript was rejected by my agent, so I’m spending this week coming up with new novel ideas. Coming up with novels from scratch is somewhat new, somewhat not new since I had to go through the process of actually creating good stories with my first three books. The difference was that I “pantsed” them and so by the time I went to outlining I already had characters, a setting (which in fantasy means a whole world or at least part of one), a main problem for those characters, and a premise (in the sense of Lajos Egri) on which to build a story (I didn’t have good stories, let that be a lesson to you). I also had what I call an “archetypal clarity” or “cosmic principle.” This is the additional element of fantasy that the universe is organized around. The One Power, for instance is the cosmic principle behind The Wheel of Time. Continue reading “The Hunt for Story Ideas”→
In which I alienate fans of Labyrinth by arguing that an excellent codpiece by itself doesn’t create the reverence and dread of a real drama.
First the news: I had another hen eaten by a fox on Saturday, so I replaced her with four new birds that I know are female (backstory: a year-and-a-half ago when I got chicks, we accidentally got a Wyandotte rooster, who the kids named R.L. Stine). I have a sequel to Firesage outlined, tentatively called Watermark, and a rough idea for a third book in a trilogy. After some thorough beta reading I have almost got Firesage ready to send to my agent, and I think this one will sell. Despite his wariness that epic fantasy is a “cold genre” I think editors will relate to the primary question of what the main character will do to make a good life for her unborn child. I went to the bookstore the other day to look for comps (and I found some good books), but I always walk away with the feeling that my books are so unique people won’t know what to do with them. I don’t think I have ever read or even heard of a fantasy book that deals with the unique anxieties faced by pregnant women, so I’m hoping that will do it for me (if you have heard of one, please let me know in the comments, or on Twitter).
The other day I went to see the film adaptation of The Dark Tower. It was 11:55 AM on a Wednesday and I was the only person in the theater, but I suspected that even if I went at 7:30 PM on Friday, I would be in a small crowd. The movie has gotten plenty of bad reviews, including my favorite kind (sarcasm), the ones who tell you that the movie is already terrible and disappointing, and it shouldn’t have been made in the first place. These were followed by at least one “so what” review, which I read, but I didn’t really care to believe either. The Dark Tower is a majestic, beautiful, grand story, written by one of my favorite authors, and so I wasn’t going to take the word of a few people who might not even care for Stephen King’s writing.
In which I alienate still more people who liked Arrival
The main thing I’ve been doing other than working toward the climax in the rewrite of Firesage is studying screenwriting. Since The Queen’s Night is on submission and people seem to like the characters (despite my efforts to make them horrible people bent on nothing but pleasure, power, and geometry) I have thought it would make a good movie. A lot of readers and writers think about their favorite books in a sort of filmic way, and when readers get their favorite books adapted, it’s a sort of validation. A lot of the heroic and dramatic can be succinctly expressed in film, and so a lot of us get our sense of the dramatic from the movie screen, and seeing our favorite story on that screen gives it a larger existence. So naturally I thought of adapting the movie myself, and learning about screenwriting in the process.
In which I alienate the people most likely to buy my book.
Margaret Atwood is one of my favorite authors, and The Handmaid’s Tale is one of my favorite books, so I was pretty excited when I heard Hulu was adapting it into a series. Of course, I also had my trepidation. I don’t care much whether an adaptation fails or succeeds, but my expectations for adaptations these days are pretty low. Nevertheless it’s nice to see such an excellent book advertised and interpreted. I watched the first episode last night and found myself thinking I would rather be re-reading the book. If you were confused or disappointed by the episodes you’ve seen, read the book.
In which I alienate the entire sci-fi short story readership, fellowship, and mothership.
I just got back from Paris. Yes, I’m fancy. It was great, thanks for asking. I wrote a short story while I was there (which, given what I’m about to tell you, probably will never get published). On the way back I got to watch two recent sci-fi movies and I found them interesting to compare, particularly given my previous arrogance about “entertainment” (he said disdainfully), I was surprised which one I enjoyed more. Continue reading “The Nifty, Geeky Story”→
What is it that makes readers connect? Sincerity and honesty. The kind of sincerity I’m talking about might be called being “serious” but as Alan Watts pointed out, the word “serious” has a sort of dry unfunniness about it, and that isn’t what I’m getting at. Fantasy literature in particular has this problem, much less than it used to, that it’s hard to take seriously a book about wizards and dragons. Ursula LeGuin seems to have eventually convinced everyone to take such books seriously, but not without plenty of books getting written to convince people otherwise. Wizards and dragons sound like childish topics, until you read Gene Wolfe, Stephen R. Donaldson, or dare I say Robert Jordan?