Superior Readability

An exploration of what makes a book readable and hooks readers, in which I alienate beer drinkers… .

Readability is not a joke.  Of course, this is how I treated it a few weeks ago when I first noticed the readability of Peter V. Brett’s debut novel The Warded Man.  The speed at which I read the first book of Brett’s Demon Cycle series and the way I kept going back to reading it–and actually enjoying it–left me thinking it was just really easy to read.  This was funny because a book should be easy to read, and if it’s a pain to read, and you have to drag yourself into reading it, then why are you reading it?  It reminded me of a billboard for Bud Light that hung over the entrance to the O’Neill Tunnel in Boston: “Superior Drinkability.”  If you’re selling a drink it really ought to be drinkable, or else something is wrong. Continue reading “Superior Readability”

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Content and Style: The Handmaid’s Tale on Hulu

In which I alienate the people most likely to buy my book.

Margaret_Atwood_2015
Atwood at the 2015 Texas Book Festival; photo by Larry D. Moore

Margaret Atwood is one of my favorite authors, and The Handmaid’s Tale is one of my favorite books, so I was pretty excited when I heard Hulu was adapting it into a series. Of course, I also had my trepidation. I don’t care much whether an adaptation fails or succeeds, but my expectations for adaptations these days are pretty low. Nevertheless it’s nice to see such an excellent book advertised and interpreted.  I watched the first episode last night and found myself thinking I would rather be re-reading the book.  If you were confused or disappointed by the episodes you’ve seen, read the book.

Continue reading “Content and Style: The Handmaid’s Tale on Hulu”