Reading H.P. Lovecraft requires, ironically, going beneath the surface.
The stories of H.P. Lovecraft have a dedicated following in the Fantasy and Science Fiction community, and are canonical in Horror, along with Edgar Allan Poe, Wilkie Collins, and Algernon Blackwood. Lovecraft’s corpus enjoys a certain unity, which some might call repetition, unparalleled except in more recent authors who aren’t afraid to cite Lovecraft as an influence, or even hail him as a genius. The works of Stephen King and Clive Barker, for instance, have so many crossovers that readers often conclude each work is part of a larger whole, an entire fictional universe. Just like Stephen King’s fictional analogue of the state of Maine, Lovecraft’s work takes place in a New England of his own creation, with its own universities, towns, and publications.
These repetitions and allusions build up to a world that is haunting and creepy, but not because of what you might expect. We have to take a look at Lovecraft’s style of narration and the psychology of those narrators to really figure out why Lovecraft’s stories are indeed weird, enduring, and influential. Lovecraft’s stories get under your skin but not for anything on their surface. I have been reading At The Mountains of Madness for the past few days, and while I’m reading I don’t sit there thinking “oh God, I’m terrified,” or even “that’s sick!”
But I wake up in the middle of the night in a cold sweat, terrified that lurking in the corner is something whose terrible presence so chills me that I cannot sleep. To keep typing this blog post is so deeply against my nature that it may result in a complete nervous breakdown, terrifying my very soul and giving rise to the persistent thought that I should stop typing, delete my WordPress account, and drift into anonymity…but it’s a warning you all must have before you make the same regretful choices I have made. Oh, how I wish I had never opened the 2014 publication of The New Annotated H.P. Lovecraft, edited by Leslie S. Klinger with an introduction by Alan Moore, and published by W.W. Norton. Oh, the regret… Continue reading “Getting into Lovecraft”