Why write weak characters? To see them become strong people.
Last month after watching The White Queen I questioned the compliment “you write strong female characters,” by saying there’s no good reason to write a weak female character. Weak female characters, or passive ones, are simply not as interesting as strong characters of either sex. There’s no compelling reason to write a character who’s boring, at least not in a fantasy or historical adventure. Even a weak side character can just use up valuable space. “Every character should want something, even if it is just a glass of water.”
I’ve now found an exception to this. A weak main character can be quite interesting because, of course, characters need to change.
I should be able to get used to something like that, like how Southerners should be expecting the heat, or how people really shouldn’t fear death: you know it’s coming, so it’s no big deal, but no, every time I run into her, it leaves me feeling cold and sick and exhausted for days… . She never seems to understand how painful it is to see her. If she could avoid it, I wish she would. As it is, it’s almost like she’s still alive.
First the news: I am about a quarter of the way through editing Firesage. I don’t have much inclination to do anything else because editing is so rewarding. I thought about doing a blog post on my editing procedure, but actually editing is so much more fun, I thought I would share some thoughts on the age of protagonists. I got two more short stories rejected this week, and will post them here soon. If you haven’t read “Talons of the Sun” or “The Lapis Dragon-Tamer” yet, head over to my short fiction page, and stay tuned for more.
The subject came up on Facebook about why so many stories are about people of a particular age, and I have some quick thoughts on this.