My novel went out to publishers some time last week, and that’s exciting, but now I’m back into a long waiting period. There’s this weird thing in writing advice where nobody talks about anything except getting an agent, so getting an agent was a strange letdown where my entire six months depended on a long drawn-out process of waiting. Now I’m getting that back in waiting to hear from publishers. I try to keep in touch with my agent, but I don’t want to bug him when there’s nothing for us to talk about. I’m now homeschooling a kid, and continuing to work on Firesage, which is going a little slow since it’s hard to find a consistent work schedule with the new adjustment.
I had decided to see if anything happened fast before I sent out any more short stories. All of them have been rejected except for one that’s been with the same market for almost three months (their time limit). That one I’m interested in, because it’s a prestigious market with a ready supply of subscribers, and only one author appears in any issue. The rest I have sent to a variety of interesting markets. My space colonization story “The Fault is not in Our Stars but Somewhere Between Jupiter and the Asteroid Belt” has gone into the black hole of Analog’s submission pile. That will take at least six months to hear back from.
I sent “Killing Montherek” to Flame Tree Press, a British publisher that is an offshoot of a fine gifts and calendars company. I felt a little weird sending it to them, as even though they are a SFWA-qualifying market, I had never heard of them and didn’t know whether they were “for real,” as in if they had good standards, or if they could really distribute their books well. I totally changed my mind the next day when I was at Books-A-Million in West Lebanon. There was a whole shelf featuring their anthologies, which were beautifully bound with fantastical Victorian-esque covers. Their shtick is to put brand-new stories from new authors alongside classics from Bram Stoker, Edgar Rice Burroughs, and Robert E. Howard. Totally my thing.
I sent “The Harp” to Spark, which is a literary genre-fiction market. I have a hard time deciding where to send that one, since it is clearly fantasy, about sorcery, but its theme is decidedly sensual, so that rules out quite a few places that would otherwise be good for stories about sorcerors. On the other hand, it’s not particularly kinky, more cerebral, so that rules out a lot of places that are more topical and weird. I’m just going to keep sending these out until they stick somewhere.
I recently heard an author saying that you should only send stories to the top ten markets and trunk them if they don’t get published there. I’m not buying that for now. I know these stories are good, but they are not fashionable. They are probably considered old-fashioned. I’m not after prestige with other writers; I’m not even after the money. I want people to be able to read these stories, and I want the opinions of good editors, not all of whom work at the top ten short story markets in SFF right now. I am not trying to impress the top writers in the field. Most of those markets seem very trendy to me, and unlike other people, I do not write just what those particular editors want. So it might take longer, but I’ll see that people have a way to read them eventually.